Fernando Rogério Senna Calderari (Lapa, PR, 1939) painter, engraver, draftsman, sculptor and teacher. He graduated in the Painting Course at the Escola de Música e Belas Artes do Paraná in 1962 and in the Special Didactics in Drawing Course at the Catholic University of Paraná in 1963. He trained at the metal engraving studio of the Museum of Modern Art in Rio de Janeiro (1965) with a grant from the Paraná State Department of Education and Culture when he attended the Metal Engraving Course guided by Edith Behring and Roberto Delamônica, who considers the period responsible for his acquisition of content: “the brain part is very active and the creative floating around,” he says.
This Discovery Was Very Important
Born on the plateau Calderari fell in love with the sea. A fact that led an art critic from the city of Varna. Bulgaria, to state that his work is well structured. But left a glimpse of a marine landscape. Fernando Calderari takes advantage of the tension between figuration and abstraction. He opts for Tunisia Phone Number List abstraction in the 1960s, but the objects never fully moved away. It was something like a departure for a later approximation, working in the same direction as the abstract “expressionists” (not in the same result) in the discovery of painting, the use of large formats and the research of the specifically pictorial technique, it is an “entering painting ” or as he says himself, “the spectator is the true protagonist of the landscape.
Without That Refinement of the Canvas
It is knowing how to look the sapere vedere (and osare) by Leonardo da Vinci. For some years he opted for the abstraction of form, no longer the form as a defined image, but a disguised one, simply advocating the plastic Aleart News values of painting. In this exhibition, we chose to show this moment of his mature abstraction, which corresponds to the series of carvings – those “new figurations in landscapes” – and which originated in his activity as an engraver. Combining engraving and painting, he began to carve and paint his paintings made on wood: “The worked wood itself would satisfy me much more.